The painting is traditionally called The Creation of Adam, but some scholars say it should be called The Endowment of Adam. Adam has already been given physical life—his eyes are open, and he is conscious. What is happening is that he is being offered life with God. “All of man’s potential, physical and spiritual, is contained in this one timeless moment,” writes one art critic.
Apparently one of the messages that Michelangelo wanted to convey is God’s implacable determination to reach out to and be with the person he has created. God is as close as he can be. But having come that close, he allows just a little space, so that Adam can choose. He waits for Adam to make his move.
Adam is more difficult to interpret. His arm is partially extended toward God, but his body reclines in a lazy pose, leaning backward as if he has no interest at all in making a connection. Maybe he assumes that God, having come this far, will close the gap. Maybe he is indifferent to the possibility of touching his creator. Maybe he lacks the strength. All he would have to do is lift a finger. — God Is Closer Than You Think: This Can Be the Greatest Moment of Your Life Because This Moment Is the Place Where You Can Meet God (John Ortberg)
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